Station
Similar stations in Suchifuku
Surface Settlement (Odyssey) - -
The Data CollectorsBailey Research Enterprise
Surface Settlement (Odyssey) - -
The Data Collectors
Charman Agricultural Hub
Surface Settlement (Odyssey) - -
Suchifuku SystemsGolub Botanical Complex
Surface Settlement (Odyssey) - -
Mbera Republic Party
Dragomanov Industrial Works
Surface Settlement (Odyssey) - 657 Ls
Mbera Republic Party
Lawty Nutrition Enterprise
Surface Settlement (Odyssey) - 657 Ls
The Data Collectors
O'Neill's Respite
Surface Settlement (Odyssey) - 657 Ls
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Surface Settlement (Odyssey) - 657 Ls
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Surface Settlement (Odyssey) - 1,153 Ls
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Surface Settlement (Odyssey) - 1,153 Ls
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Surface Settlement (Odyssey) - 1,497 Ls
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Surface Settlement (Odyssey) - 1,497 Ls
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Surface Settlement (Odyssey) - 1,497 Ls
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Favre's Pharmaceuticals
Surface Settlement (Odyssey) - 2,086 Ls
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Surface Settlement (Odyssey) - 2,683 Ls
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Surface Settlement (Odyssey) - 2,743 Ls
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Surface Settlement (Odyssey) - 3,748 Ls
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Desikan Tourism Site
Surface Settlement (Odyssey) - 4,778 Ls
Formidine Greybeard Guild
Galpedia
Alan Moore
Alan Moore (born 18 November 1953) is an English writer primarily known for his work in comic books including Watchmen, V for Vendetta, and From Hell. Frequently described as the best graphic novel writer in history, he has been called "one of the most important British writers of the last fifty years". He has occasionally used such pseudonyms as Curt Vile, Jill de Ray, Translucia Baboon and The Original Writer.
Moore started writing for British underground and alternative fanzines in the late 1970s before achieving success publishing comic strips in such magazines as 2000 AD and Warrior. He was subsequently picked up by the American DC Comics, and as "the first comics writer living in Britain to do prominent work in America", he worked on major characters such as Batman (Batman: The Killing Joke) and Superman ("Whatever Happened to the Man of Tomorrow?"), substantially developed the character Swamp Thing, and penned original titles such as Watchmen. During that decade, Moore helped to bring about greater social respectability for comics in the United States and United Kingdom. He prefers the term "comic" to "graphic novel." In the late 1980s and early 1990s he left the comic industry mainstream and went independent for a while, working on experimental work such as the epic From Hell, the pornographic Lost Girls, and the prose novel Voice of the Fire. He subsequently returned to the mainstream later in the 1990s, working for Image Comics, before developing America's Best Comics, an imprint through which he published works such as The League of Extraordinary Gentlemen and the occult-based Promethea.
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